Art in relation: Immersive installations, by Zoe Stillpass

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Since 2006, artist Philippe Parreno has created luminous panels similar to those found on theater facades, which he programs to blink at varying intervals. The marquee signifies the boundary between spectacle and the world, between fiction and reality. This conference examines one of his early illuminated panels, Marquee (2008), in the context of the artist's work. It also connects his work to a new approach in art called "relational aesthetics," of which Philippe Parreno became a leading figure in the early 1990s. Alongside a group of young artists, Philippe Parreno presents the idea that art is a form of direct social interaction. They view the object as a relational element, and consequently, the idea of exhibition as crucial.


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Automatically translated from French.



Centre Pompidou-Metz

Where does it take place?

France 1 parvis des Droits de l'Homme, 57020 Metz, France

Centre Pompidou-Metz
1 parvis des Droits de l'Homme
57020 Metz
France



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  • 2025-04-17 18:30:00 2025-04-17 19:30:00 Europe/Paris Art in relation: Immersive installations, by Zoe Stillpass Since 2006, artist Philippe Parreno has created luminous panels similar to those found on theater facades, which he programs to blink at varying intervals. The marquee signifies the boundary between spectacle and the world, between fiction and reality. This conference examines one of his early illuminated panels, Marquee (2008), in the context of the artist's work. It also connects his work to a new approach in art called "relational aesthetics," of which Philippe Parreno became a leading figure in the early 1990s. Alongside a group of young artists, Philippe Parreno presents the idea that art is a form of direct social interaction. They view the object as a relational element, and consequently, the idea of exhibition as crucial. 1 parvis des Droits de l'Homme, 57020 Metz, France Centre Pompidou-Metz
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