Hamlet - William Shakespeare
- theater
-
contemporary
Direction: Jean-Paul Maes
Scenography: Jörg Brombacher
Music: Pit Dahm/Ken Rischard
Technical Direction: Roland Jakobi
Assistance: Brigitte Bintz
With: Timo Wagner / Friederike Majerczyk / Tim Olrik Stöneberg / Neven Nöthig
Are we HAMLET? Do we walk through our lives just as uncertain?
He could not overcome the unexpected death of his father. He believes a ghost suggested or confirmed to him that things were not as they should be. His mother's quick turn to the uncle, the brother and heir of the deceased, seems like another confirmation.
Our Hamlet is trapped in his thoughts, doubts, and inhibitions, gradually leading him to perceive dangers everywhere. Hamlet, a daydreamer?
Undoubtedly, Shakespeare achieved a masterful complexity within his hesitation, constantly believing he misses opportunities for revenge, leading to incorrect and thus devastating conclusions for all.
A young man left alone, perhaps even ultimately by himself.
That the ghost of the dead father appears to him in the form of his equally frightened mother, in whom he also sees the much-desired and ultimately rejected Orphelia, is part of our concept, which certainly allows questions of greatest interpretative freedom but also a certain directionality.
Good to know
Type: Chamber play
Number of actors: 4
Authors: William Shakespeare
Inner conflict: struggle between the emotions of human existence
Context: external threat constantly present by the approaching enemy Fortinbras from Norway.
Automatically translated from German.
Where does it take place?
Kaleidoskop Theater
8
Rue de l'École
L-3341 Huncherange
Luxembourg
by 
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